National Repository of Grey Literature 4 records found  Search took 0.00 seconds. 
The origin and the development of representation of Buddha and bodhisattva in the Gandhāran art
Svobodová, Kateřina ; Stančo, Ladislav (advisor) ; Bouzek, Jan (referee)
This diploma thesis concerns the iconography of early Buddhist art in India, especially in the region of ancient Gandhāra. It follows the development of representation of Buddha and bodhisattva from an aniconic type to establishment of anthropomorphous form during the reign of the Kushaṇas. It outlines the influence of the Hellenistic world on this form and tries to give a summary about the mixture of the symbolic and stylistic patterns as well as their further development in the later Buddhist art.
Hellenistic mosaic glass and La Tène glass-working
Venclová, Natalie ; Jonášová, Šárka ; Vaculovič, T.
Hellenistic mosaic glasses are similar in their basic composition, as well as their trace elements, to the late group of La Tène glass of the 2nd-1st century BC. The imported glass vessels represent a luxury article used only by the elite in the Iron Age Europe.
Development of Greek mosaics in the Hellenistic period
Pejchlová, Tereza ; Stančo, Ladislav (advisor) ; Ondřejová, Iva (referee)
This Master thesis deals with the development, mainly the technological development of the Greek mosaics in the Hellenistic period. Mosaics of the late Classical period are also included in this work as the early Hellenistic mosaic pavements continued to use and improve the late Classical technique. With respect to the technological aspect it is important to describe the production process, sources of which also exist in the ancient literature. The working environment and the organization of the mosaicists or other craftsmen involved can be to some extent reconstructed based on the archaeological finds. The next part of the thesis is concerned with the architectural context, the function and the meaning of the Greek mosaics. Certain hierarchy of the mosaic importance and the meaning can be identified on the basis of their motifs, the technique of the performance and their location inside the building. Furthermore, it is examined, how spaces of private houses changed with mosaics from the late Classical to the late Hellenistic times. In closing there is basic information about the Hellenistic mosaic repertory presented. Keywords mosaics, Greek, Hellenism, Art, Hellenistic, development
The origin and the development of representation of Buddha and bodhisattva in the Gandhāran art
Svobodová, Kateřina ; Stančo, Ladislav (advisor) ; Bouzek, Jan (referee)
This diploma thesis concerns the iconography of early Buddhist art in India, especially in the region of ancient Gandhāra. It follows the development of representation of Buddha and bodhisattva from an aniconic type to establishment of anthropomorphous form during the reign of the Kushaṇas. It outlines the influence of the Hellenistic world on this form and tries to give a summary about the mixture of the symbolic and stylistic patterns as well as their further development in the later Buddhist art.

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